Friday, April 24, 2015

Geisha profession is dying, there are probably fewer than a hundred back, all in all, in Japan. It


Shortly before my departure for the four-month visiting professorship in Kyoto went I happened past a basement samhoud places amsterdam antiquarian in Copenhagen. Up on the street stood bookcases and in one of them I caught out of the corner of my eye two heavily painted red lips - the kind attracts always attention - and a white chin, below which stood "Memoirs of a Geisha".
Gion 2009 It may well be a sign, I thought, they paid 20 dollars samhoud places amsterdam in the basement - just the thing for the 12 hours of flight travel. Well, there I now had no literature to review, but since I have read it in bits and pieces, day by day - that lived a small punctate life with the little Sayuris life from the child of a poor fisherman to life as a maiko (young geisha apprentice ), since the real geisha in Kyoto's famous Gion district and finally as a teahouse owner in New York after World War 2.
Arthur Golden is so good at so many think it is a documentary - but since I always flicking little nysgerigt around before I read, I had seen the magic words on page 494 that the whole story is "helt invented".
I had the opportunity to spend many afternoon and evening hours in the Gion district, unique in the world. There, one can - with patience samhoud places amsterdam - take up position in the narrow streets and have the luck to see the last geishas shuffling back and forth between his "houses" to entertain the businessmen who have arrived a little earlier in black limousines.
The small wooden houses, restaurants, the old yellow street lights, shadows, trees growing samhoud places amsterdam up through several samhoud places amsterdam of the houses, the strange mood of food and drink, samhoud places amsterdam party, samhoud places amsterdam eroticism and paparazzi, the babbling brook along Shirakawa Minami-dori with the cranes on one leg, human magical meeting crisscrossing of cultures - I can only fascinated, but also know that I am among the last who gets to experience it.
About a generation or two is all safely away; it is called "development". If you have luck you can through doors that opened to guests, look inside and discover that several of these teahouses that looks like museums outside is super modern interior with white marble, fountains, orchid setups and typical Japanese, simple beauty.
Geisha profession is dying, there are probably fewer than a hundred back, all in all, in Japan. It must be terribly difficult to get okiya'erne - geisha houses - to survive, although there is much money in circulation.
Geisha culture - "Geiko" on Kyoto dialect - is one of the rest of us most enigmatic sides of Japanese society. An alien comes in principle not be in closer contact with the beyond, as I have the luck to see geisha tripping quickly and cloud down the street from one house to another.
A Geishas Memoirs is also a report on the Japanese culture's emphasis on the unspoken, patience, adaptation, samhoud places amsterdam ranking and eternal, traditional japanskhed. About the always contentious, kontextuelle world as the Japanese must piece together create yourself. Niche community.
Some will certainly see the geisha samhoud places amsterdam phenomenon as the extreme expression of female oppression or "slavery". But this must be seen in context. samhoud places amsterdam But shown geishas's samhoud places amsterdam become just that because they could not be otherwise or because they happen to be born with an appearance in Japanese samhoud places amsterdam eyes express beauty.
Sayuri has her dreams like all other children and young people, but she must suppress them. The man she is fascinated by - much older and much higher status than she - she must put up with the wait for years before she for the first time can be alone with him and he can give her a first small gently kiss.
Towards the end frees herself. Her first trip outside of Japan - accompanying this man - go to New York and she is fascinated. After several visits there she decides not to come back and according fiction tells her his life story for the writer there, as the owner of a small tea house on Fifth Avenue. She seems happy, perhaps for the first time in his life - and just outside Japan but often with Japanese people in New York.
My photographic samhoud places amsterdam equipment is definitely not a paparazzi. But a few pictures might be somebody. In one case where I jumped up on the side of a geisha, she stopped, turned and smiled, bowed and tripped so rapidly on; it all went well for 5-10 seconds. The relative darkness and without flash is, it is now not easy ...
Today I read the book to end. Maybe I subconsciously wanted to spread the good experience beyond samhoud places amsterdam the longest possible time? With the book, I experience myself of course a little back in Kyoto, I came to love so much. And the best part is that I probably should be a visiting professor regularly samhoud places amsterdam for a month at a time in the coming years. samhoud places amsterdam
More geisha-hunting? I think so. One can always hope to shoot better pictures. I sure hope there will be some remains of this rare cultural nature. And the Japanese will frede

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